There is a sculptural play on a bucking bronco, by which a gold, dragon-like creature shifts backwards and forwards when visitors insert a coin. Klingemann explains how he harnesses AI, creating works the place the boundaries between human influence and machine creation turn into increasingly blurred. Botto, for instance, is a project to create an entity that could be perceived as an autonomous artist. “It is set up as a hybrid between an AI that makes its own creative choices and a group of human stewards that vote on Botto’s proposals and thereby curate the output and not directly steer the creative development of the machine,” he says.
You Decide.The New Yorker cartoonist has hassle making selections about décor. Anyone who has seen the art collection in her home may not discover. Jill Medvedow, Who Remade ICA Boston, to DepartShe will go away her post because the Institute of Contemporary …